Coming Soon
MID/EVIL TIMES
2025
Director
Devon Daniel Green
Starring
Noah Brockman
Robert Dayton
Alyssa Sabo
Runtime
61 minutes
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In the near future, petty criminals are sentenced to act in art films in lieu of jail time. 10 years after that, groups of experimental theater students and clandestine filmmakers attempt to recreate an iconic “lost” film from this era, the mysterious, and possibly haunted, MID/EVIL TIMES…
Shot with gear, locations and friends all borrowed and stolen, MID/EVIL TIMES is a broken kaleidoscope of SOV filmmaking, reflecting the horrors and joys of the creative act in a world overtly hostile towards free expression. Featuring a cast of familiar faces from the LA underground film scene, “Weener Kleener Soap”, and gratuitous Godard references, behold this evocation of the past and questionable conjuring of the future.
“MID/EVIL TIMES shirks commercial film form in the hopes of leaving the status quo with an irritating case of heartburn. Seeing a work of such naked daring with an audience is damn important—what’s the point of watching a trapeze act on YouTube when in person you can feel the tension of the person in the seat next to you? For cinephiles who are equally enamored with ambitious auteur fare such as MEGALOPOLIS (2024) or PSYCHOS IN LOVE (1987), your new movie just pulled up and it needs gas money.” - Chris Shield, Screen Slate
Shot with gear, locations and friends all borrowed and stolen, MID/EVIL TIMES is a broken kaleidoscope of SOV filmmaking, reflecting the horrors and joys of the creative act in a world overtly hostile towards free expression. Featuring a cast of familiar faces from the LA underground film scene, “Weener Kleener Soap”, and gratuitous Godard references, behold this evocation of the past and questionable conjuring of the future.
“MID/EVIL TIMES shirks commercial film form in the hopes of leaving the status quo with an irritating case of heartburn. Seeing a work of such naked daring with an audience is damn important—what’s the point of watching a trapeze act on YouTube when in person you can feel the tension of the person in the seat next to you? For cinephiles who are equally enamored with ambitious auteur fare such as MEGALOPOLIS (2024) or PSYCHOS IN LOVE (1987), your new movie just pulled up and it needs gas money.” - Chris Shield, Screen Slate