SYMBIOPSYCHO-TAXIPLASM: TAKE ONE

In his one-of-a-kind fiction/documentary hybrid SYMBIOPSYCHOTAXIPLASM: TAKE ONE, the pioneering William Greaves presides over a beleaguered film crew in New York’s Central Park, leaving them to try to figure out what kind of movie they’re making. A couple enacts a breakup scenario over and over, a documentary crew films a crew filming the crew, locals wander casually into the frame: the project defies easy description. Yet this wildly innovative sixties counterculture landmark remains one of the most tightly focused and insightful movies ever made about making movies.

“What if they made a revolution and nobody saw it? That’s what happened in 1968, when William Greaves filmed one of the most daring and original movies of the time… It’s one of the greatest movies about filmmaking ever made, and one that would have spoken to young independent filmmakers of the time. It’s a vision of filmmaking that didn’t get seen when it could have made a decisive difference for a new generation… The movie is no mere self-exploration or self-reflection but a vision of the times, a crucial work of late-sixties politics in action.” - Richard Brody, The New Yorker